Film

Thank you all for your patience and your kind words.   As you may know, I have been offered three book deals and have just finished writing my first book.  The writing of these books have  consumed all my time, which has given me little time to attend to my blog.  My assistant will be sending out film to all those who have request it within the next week or so.   I will be checking my blog weekly and as soon as I wrap my second book, I will be checking it daily.  Until then, keep posting your questions and requests and I will do my best to get back to you.

Cheers!

Elizabeth Etienne

Armella Gaines

Thank you for your advise on the Kodak website.
I also love film from my high school days of shooting. now that everything is digital it is expensive to have rolls developed. but I would like to request a roll of the film that you use so I can give it a try.

You can send it to
Armella Gaines
Abrazo Health Care
8620 N. 22nd Ave
Suite 200
Phoenix AZ 85021

Thanks
Armella

Small Budget Weddings, Big Budget Appearance!

Elizabeth Etienne Photography:

As Photographers out job is to make any size wedding (and budget) look like a grand affair by finding just the light, composing each image in a perfect way and shooting spectacular images.

Finding The Right Light- Look Around You!

I’d be a  millionaire if I got a nickel for every person that asks me how I create the look and feel of most of my images.

“Look for the light” I always say. Leave your artificial light at home and just grab your camera!Lighting is the photographers voice. It’s the lead vocal in the band, the main course in a meal and the rhythm in a song. The right lighting can make or break the quality of an image. Too many times I see photographers over lighting their subjects by flooding their subject with direct frontal light There’s nothing less romantic, less emotional, less moving than that.

I knew a wedding photographer who shot everything with a flash. It didn’t matter what the composition was he always blinded the subject with a brightly lite flash. My advice to him was shoot your next wedding with natural light only! He thought I was crazy.  I got a call a week later thanking me after her followed my advice that he made some of the best images of his life!

There are so many beautiful different kind of light. Shooting inside or out, I’m a firm believer you can shoot in any kind of light if you just look around you. There’s back lighting , (my particular favorite), side split lighting, Rembrandt lighting, flat front light, dappled patterned light and silhouette lighting. Once you understand natural light and what to do with it you’ll be able to emulate a particular lighting pattern in a studio setting using artificial lights if you have to. Below are sample images of these lighting styles. I used exclusively natural light for all of these images.

Thank you for the tips! I can’t wait the sun comes out a little to play with the different types of lighting.

The Shot Composition Check List

Elizabeth Etienne Photography:

My assistants always bring a copy of my “Shoot Composition Check List”. This is a composition reminder list. My assistants or production manager keep a copy of this list in their photo vests. We also have one taped to the inside of the camera bag as a reminder. The list reminds me to shoot a variety of compositional versions of the same image set up. This will include: horizontal and vertical images, color and black and white images, center balanced and off balanced image compositions, and creative and traditional compositions. In my early days of shooting I was so eager to shoot my trademark, creative images I would forget completely about the simple, clean images of the couple looking INTO the camera smiling. These are the ones their parents usually order and frame.  Now my crew or production manager reminds me to make sure we shoot those “traditional” images first and then the creative ones second.

Obviously shooting the creative images is more fun. I like to do things like shoot the same shot but have the couple looking off camera instead of looking into the lens for a few frames. I might also shift the focus from their faces to an object like an iron gate or tree branch for variety. Having a wide variety of images assures me I’ll have the image the client might wants for a particular frame dimension or a magazine or stock agency might want for a particular layout.  I also try to remember to shoot some frames of balance leaving room for potential text for magazines or ad layouts. In the back of my mind I’m always thinking about how my images might be recycled beyond the present photo shoot. This is imperative to residual income sales. There is nothing worse than a stock agency loving and image and then asking if you have a vertical, left or right balanced or black and white version and you don’t.

SHOT COMPOSITION CHECK-LIST

REMEMBER TO SHOOT:

  • Color images
  • Black & White images
  • Vertical images
  • Horizontal images
  • Individual portraits: creative and traditional
  • Couple portraits: creative and traditional
  • Fun/happy images
  • Serious/intimate images
  • Close-up – couple and individual portraits
  • Mid-length – couple and individual portraits
  • Far away – couple and individual portraits
  • Detail shots including location details to tell the story – might include body parts (hands, feet, eyes, toes, lips, etc.)

Christine Mills – Developing The Entrepreneurial Spirit!

I am presently interning for Elizabeth and am amazed at how much I have learned in such a short time. Elizabeth’s internship program has already made a huge impact on my life and my future career as a photographer.

Elizabeth’s unique mentoring style is giving me the direction and structure I need to help me achieve my business goals as a photographer. Being a great photographer is one thing, but being an entrepreneur is another and having the opportunity to be mentored by someone who is extremely successful in both areas is beyond invaluable in this industry.

Check out Christine’s work at:

http://www.christinemillsphotography.com